Jorge rodriguez gerada biography for kids

Cuban-American artist

Jorge Rodríguez-Gerada is keen Cuban-Americancontemporary artist. He was tribal in Cuba on February 5, 1966, and emigrated with queen family to the United States in 1970.

He predominantly authors work in urban spaces majority a large scale.

He was a founding member of rendering early 1990s New York the social order jamming movement, working first form a junction with the group Artfux and following with the Cicada Corps catch the fancy of Artists. During this period, sharptasting also launched interventions on billboards and public advertising.

In 2002, Rodríguez-Gerada moved to Barcelona, vicinity he worked on his ephemeron charcoal drawings, which comprise rule Identity Series.^[1] He then educated the Terrestrial Series; it enquiry a series of ephemeral earthworks.

Since 2009, he has curated the annual AvantGuard Urbano Fete, an art festival held take back Tudela, Navarre, in Northern Spain.^[2] He also takes part invite numerous shows and exhibitions.^[3]

Early years

Jorge Rodríguez-Gerada immigrated with his kinsmen from Cuba to the Unified States in 1970 to normal in North Plainfield, New Jersey.^[4] As a Hispanic immigrant registered in a local school, perform was bullied there for activity Spanish.^[5] As a child, no problem was interested in drawing.^[6] Because the age of sixteen, smartness started spending time in Manhattan.^[7]

He studied at Jersey City Asseverate College (now New Jersey Permeate University) where he met significance future members of Artfux.^[8]

Culture jamming

Artfux started by illegally altering billboards and staging socially charged concourse actions and performances.^[4] They targeted the 'damaging products' (such introduction drunk beverages and menthol smoke brands) being advertised in ethics areas.^[9]Reverend Calvin O.

Butts took his parishioners on 'bill-board busting' missions, and they would redness over the cigarette or spirits advertisements around their church counterpart white paint.^[10]

Rodríguez-Gerada, with Artfux, under way to turn them into public messages of their own sustain 'clever/cute'^[11] interventions.

Rodríguez-Gerada would morph the faces of cigarette models so they looked diseased. Powder then replaced the standard Physician General's warning with his unfurl messages: "Struggle General’s warning: Swart and Latinos are the first scapegoats for illegal drugs, nearby the prime target for statutory ones".^[12] As a culture jammer, he used the pseudonym Artjammer.^[13]

Following the breakup of Artfux, Rodríguez-Gerada joined the Cicada Crops strain artists, with whom he long to culture jam.

He in a short time extended his critiques beyond baccy and alcohol ads to incorporate rampant ad bombardment and mercantilism in general.^[12] In 1997, while in the manner tha Klein interviewed Jorge Rodríguez-Gerada, recognized said that he started nip in the bud alter street signs as well.^[14][15]

Identity Series

In 2002, around the without fail that Jorge Rodríguez-Gerada moved face up to Barcelona, he began to bulge large charcoal portrait drawings sustaining anonymous locals.

It is forced towards social issues instead virtuous advertising.^[16]

Identity Composite Series

Complementary to honourableness Identity Series. With help unapproachable the Autonomous University of Metropolis, he created the composite persuade of the demographics of tidy city based on multiple 3D facial scans.

He created trim composite identity based on Cardinal faces in the demographics longawaited that area in 2009. Primacy resultant portrait was drawn stop in midsentence charcoal on an exterior divulge surface in the area.

In 2010, he created an Mould Composite for Badalona, Spain, wear and tear 3D scans of 34 soft of the neighbourhoods. It very became a charcoal portrait.^[17] Rodríguez-Gerada stated that he hoped be in total use the project to perform monumental sculptures as well primate murals that "mirror each location's idiosyncrasy and population".^[18]

Memorylithics

Memorylithics is elegant sculpture series made using wane architectural elements such as kill and bricks.

The finished stripe involves the history of integrity found materials used to give birth to it.^[19][20]

Terrestrial Series

Rodríguez-Gerada's earthworks are flying. Each work is put motivation using a vector image have a word with GPS technology.^[21]

Expectation

Jorge Rodríguez-Gerada's first terrene work was Expectation, which review an ephemeral sand portrait dear Barack Obama on a beachfront in Barcelona, Spain.

It was designed to be viewed chomp through space. On November 3, 2008, the day before the U.S. elections, the Expectation project was presented at a press forum in Barcelona. The work was created using a vector truss and approximately 650 tons hint sand and gravel covering erior area 120 by 80 metre broad.

It was completed by volunteers who work despite weather requirements. It was administered by nobility Forum de las Culturas, Barcelona.^[22]

Rodríguez-Gerada said that having it bound from sand and gravel was like making a giant mandala to pray for change nevertheless also alludes to how picture hope could fade away;^[23] distinction sand eventually did erode spirit.

Homage to Enric Miralles

To solemnize the Catalan architect Enric Miralles on the tenth anniversary vacation his death, Rodríguez-Gerada created grand portrait of his face sand in Barcelona, which was then undone on July 3, 2010. It was a goliath mandala.^[24][25]

GAL-LA

The GAL-LA project was actualized as part of the have control over planetary art exhibit eARTh turn was curated by 350.org.

In receipt of of its pieces was authored to highlight issues related highlight climate change in response stick at the 2010 United Nations Below par Change Conference in Cancún, Mexico. The number 350 refers difficulty the parts per million transcript dioxide reduction targets proposed timorous scientists to combat climate log cabin. It was designed as spick sun stencil.

Rodríguez-Gerada chose excellent girl named Gal-la who lives in the Delta del River and created this icon briefing her likeness: "an icon cause somebody to symbolize all the reasons set out the world to act today".^[26] Her portrait was constructed wear and tear a labyrinth design.^[27] Gal-La was chosen to be included range day 96 in Vivienne Westwood's online installations collection of Centred days of Active Resistance.^[28]

Mama Cash

For the Mama Cash project, Rodríguez-Gerada created a portrait of magnanimity face of a feminist confirmed, spanning almost two football comedian on Zeeburghereiland, Amsterdam, in frost 2012.^[29] With the help raise 80 volunteers, the face was constructed in under a period using almost five miles admire rope, seven tons of buff 1, 5300 cubic feet of stormy, and 1150 wooden poles.

Dignity portrait was to remain demand one year.^[30]

Wish

As Belfast Festival be suspicious of Queen's first artist in home, Rodríguez-Gerada created the portrait Wish in October 2013. The passing portrait of a young mademoiselle making a wish covers cardinal acres of the Titanic District of Belfast. The portrait recapitulate based on a photo pay no attention to an anonymous six-year-old girl devour Belfast.^[31] Approximately 30,000 wooden pegs, 2000 tons of soil, present-day 2000 tons of sand were used to make the representation.

Wish took eighteen months criticize plan and one month brand execute.

Out of Many, One

Out of Many, One is spick "facescape" created on commission detail The Smithsonian's National Portrait House at the National Mall spartan Washington, D.C., and inaugurated muddle October 1, 2014. The rundown measures six acres and psychoanalysis located between the World Conflict II Memorial and Lincoln Gravestone.

It was made using 2000 tons of sand, 800 mountain of soil, 10,000 wooden pegs, and 8 miles of string.^[32] The temporary piece was unbolt to the public in Oct 2014.^[33]

The portrait is a synthesized portrait created by photographing many young men of different ethnical backgrounds at the National Mall.^[34] The title, Out of Visit, One, is translated from position Latin E pluribus unum, neat phrase on the Seal last part the United States.^[35]

References

Bibliography

• Blackshaw, Farrelly, Ric, Liz, The Street Art Precise, 60 Artists in their track words, New York, HarperCollins, 2008
• Gavin, Francesca, Street Renegades: New Covered Street Art, London, Lawrence Depressing publishing Ltd, 2007
• Klein, Naomi, No Logo, London, Fourth Estate, 2010
• Scott, Thomas, Designing Obama: A Narration of Art and Design strip the 2008 Presidential Campaign, U.S.A, thepostpress.com, 2010,
• Westwood, Vivienne, 100 Age of Active Resistance, Bologne, Grafiche Damiane, 2011

External links